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	<title>viola &#8211; IMS Photography</title>
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	<description>Ian Malpass-Scott</description>
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		<title>Tenor viola</title>
		<link>https://ims.photography/2024/03/28/tenor-viola/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Thu, 28 Mar 2024 19:21:00 +0000</pubDate>
				<category><![CDATA[Ashmolean Museum]]></category>
		<category><![CDATA[Musical instrument]]></category>
		<category><![CDATA[Girolamo Amati (c. 1561-1630)]]></category>
		<category><![CDATA[viola]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=2621</guid>

					<description><![CDATA[Girolamo Amati (c. 1561-1630)]]></description>
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<p class="wp-block-paragraph">A tenor viola in the Ashmolean Museum, Oxford.</p>



<p class="wp-block-paragraph">This viola has not been cut down to the modern standard and, despite damage, is more or less intact. The tailpiece appears to be original but the matching fingerboard is modern. The base of the neck is branded with a W or an M, probably a mark of ownership that is found on other instruments by the Amati. A link with the Medici family has been suggested without much supporting evidence. It was acquired in Naples in the late 18th century by the diplomat, Sir William Hamilton.</p>



<p class="wp-block-paragraph">Provenance: Presented by W. E. Hill &amp; Sons.</p>



<p class="wp-block-paragraph">From <a href="https://en.wikipedia.org/wiki/Girolamo_Amati" target="_blank" rel="noreferrer noopener">Wikipedia</a></p>



<p class="wp-block-paragraph">Born in Cremona, Girolamo was the youngest son of Andrea Amati and brother of Antonio Amati. Girolamo worked, probably from 1575, with his brother, in his father&#8217;s workshop. With the latter, he refined his construction technique and style. For about ten years, they co-signed their works with their Latinized names: &#8220;Antonius &amp; Hieronymus Amati&#8221;.</p>



<p class="wp-block-paragraph">Girolamo slightly increased the size of his instruments, compared to those of his father.</p>



<p class="wp-block-paragraph">His son, Nicolò Amati (1596-1684), whom he trained in the workshop, was the master of Andrea Guarneri and possibly of Antonio Stradivari and Francesco Rugeri.</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Object description</strong> <br>Type:&nbsp;Musical instrument<br>Location: Ashmolean Museum, Oxford<br>Material:&nbsp;Wood<br>Artist: Girolamo Amati (c. 1561-1630)<br>Date: 1592</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image Details</strong> <br>Date: 28 March 2024<br>Camera body: iPhone Xs<br>Lens: Wide Camera 26mm ƒ/1.8<br>Focal Length: 26mm<br>Aperture:<strong> </strong>ƒ/1.8<br>Shutter Speed: 1/31s<br>ISO: 400<br>Licensing: Image of an Ashmolean Museum asset. This image cannot be licensed.</p>
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