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	<title>spray art &#8211; IMS Photography</title>
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	<description>Ian Malpass-Scott</description>
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		<title>PREFAB77: Ascension X</title>
		<link>https://ims.photography/2025/09/30/prefab77-ascension-x/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Tue, 30 Sep 2025 18:22:00 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Printed work]]></category>
		<category><![CDATA[Spray paint]]></category>
		<category><![CDATA[North Shields]]></category>
		<category><![CDATA[PREFAB77]]></category>
		<category><![CDATA[spray art]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=3645</guid>

					<description><![CDATA[Peter Manning]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">PREFAB77 spray art in North Shields, England</p>



<p class="wp-block-paragraph">From the <a href="https://www.prefab77.co.uk/about" target="_blank" rel="noreferrer noopener">artist&#8217;s website</a></p>



<p class="wp-block-paragraph">PREFAB77 a.k.a. Peter Manning is a UK based artist whos origins and influences are in England, California and New York.</p>



<p class="wp-block-paragraph">His early training as a printmaker and designer for Her Majesty in the British Army was fundamental in influencing his early Untied Kingdom subject matter, going on to New York to work in fashion and branding which influences his current. His fascination with portraiture and the female form stems from this period and is central to his imagery.</p>



<p class="wp-block-paragraph">Living on Elizabeth street in Nolita in the transitional &#8217;90&#8217;s between rough and ready door dwellers to armed guarded jewellery stores, he fell in love with the layers of tags and posters that, over the years, created a neglected, urgent, idiosyncratic and incidental beauty. On his doorstep and adding to this heady visual mix, art from Swoon, Faile, Obey, WK Interact started to appear, it was an epiphany and a calling that became an obsession.</p>



<p class="wp-block-paragraph">His current work is a culmination of all his influences and obsessions. Weaving small pieces of popular culture; money, street, religious, musical and political affiliations, into visually beautiful allegorical portraits, they express an abstract idea or convey a meaning not explicitly set forth in the narrative. A modern fable, a story or a warning, often political, sometimes anti-establishment but always beautiful.</p>



<p class="wp-block-paragraph">The style is fast, hard edged and stripped down, a dark world of Gangs, Goddesses and Groupies, woven into a pure, rock and rebellion. A luxurious mixture of print, acrylic, spraypaint, wheatpaste and varnish.</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image Details</strong> <br>Date: 30 September 2025<br>Camera body: iPhone Xs<br>Lens: Wide Camera 26mm ƒ/1.8<br>Focal Length: 26mm<br>Aperture:<strong> </strong>ƒ/1.8<br>Shutter Speed: 1/1,299s<br>ISO: 25<br>Licensing: Image of a copyrighted work. This image cannot be licensed.</p>
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			</item>
		<item>
		<title>PREFAB77: Gull Grenade</title>
		<link>https://ims.photography/2025/08/31/prefab77-gull-grenade/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Sun, 31 Aug 2025 18:22:00 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Printed work]]></category>
		<category><![CDATA[Spray paint]]></category>
		<category><![CDATA[North Shields]]></category>
		<category><![CDATA[PREFAB77]]></category>
		<category><![CDATA[spray art]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=2661</guid>

					<description><![CDATA[Peter Manning]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">PREFAB77 spray art in North Shields, England</p>



<p class="wp-block-paragraph">From the <a href="https://www.prefab77.co.uk/about" target="_blank" rel="noreferrer noopener">artist&#8217;s website</a></p>



<p class="wp-block-paragraph">PREFAB77 a.k.a. Peter Manning is a UK based artist whos origins and influences are in England, California and New York.</p>



<p class="wp-block-paragraph">His early training as a printmaker and designer for Her Majesty in the British Army was fundamental in influencing his early Untied Kingdom subject matter, going on to New York to work in fashion and branding which influences his current. His fascination with portraiture and the female form stems from this period and is central to his imagery.</p>



<p class="wp-block-paragraph">Living on Elizabeth street in Nolita in the transitional &#8217;90&#8217;s between rough and ready door dwellers to armed guarded jewellery stores, he fell in love with the layers of tags and posters that, over the years, created a neglected, urgent, idiosyncratic and incidental beauty. On his doorstep and adding to this heady visual mix, art from Swoon, Faile, Obey, WK Interact started to appear, it was an epiphany and a calling that became an obsession.</p>



<p class="wp-block-paragraph">His current work is a culmination of all his influences and obsessions. Weaving small pieces of popular culture; money, street, religious, musical and political affiliations, into visually beautiful allegorical portraits, they express an abstract idea or convey a meaning not explicitly set forth in the narrative. A modern fable, a story or a warning, often political, sometimes anti-establishment but always beautiful.</p>



<p class="wp-block-paragraph">The style is fast, hard edged and stripped down, a dark world of Gangs, Goddesses and Groupies, woven into a pure, rock and rebellion. A luxurious mixture of print, acrylic, spraypaint, wheatpaste and varnish.</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image Details</strong> <br>Date: 31 August 2025<br>Camera body: iPhone Xs<br>Lens: Wide Camera 26mm ƒ/1.8<br>Focal Length: 26mm<br>Aperture:<strong> </strong>ƒ/1.8<br>Shutter Speed: 1/1,718s<br>ISO: 25<br>Licensing: Image of a copyrighted work. This image cannot be licensed.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PREFAB77: Mohican</title>
		<link>https://ims.photography/2024/04/04/prefab77-mohican/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Thu, 04 Apr 2024 18:22:00 +0000</pubDate>
				<category><![CDATA[Spray paint]]></category>
		<category><![CDATA[North Shields]]></category>
		<category><![CDATA[PREFAB77]]></category>
		<category><![CDATA[spray art]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=2751</guid>

					<description><![CDATA[Peter Manning]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">A PREFAB77 poster in North Shields, England</p>



<p class="wp-block-paragraph">From the <a href="https://www.prefab77.co.uk/about" target="_blank" rel="noreferrer noopener">artist&#8217;s website</a></p>



<p class="wp-block-paragraph">PREFAB77 a.k.a. Peter Manning is a UK based artist whos origins and influences are in England, California and New York.</p>



<p class="wp-block-paragraph">His early training as a printmaker and designer for Her Majesty in the British Army was fundamental in influencing his early Untied Kingdom subject matter, going on to New York to work in fashion and branding which influences his current. His fascination with portraiture and the female form stems from this period and is central to his imagery.</p>



<p class="wp-block-paragraph">Living on Elizabeth street in Nolita in the transitional &#8217;90&#8217;s between rough and ready door dwellers to armed guarded jewellery stores, he fell in love with the layers of tags and posters that, over the years, created a neglected, urgent, idiosyncratic and incidental beauty. On his doorstep and adding to this heady visual mix, art from Swoon, Faile, Obey, WK Interact started to appear, it was an epiphany and a calling that became an obsession.</p>



<p class="wp-block-paragraph">His current work is a culmination of all his influences and obsessions. Weaving small pieces of popular culture; money, street, religious, musical and political affiliations, into visually beautiful allegorical portraits, they express an abstract idea or convey a meaning not explicitly set forth in the narrative. A modern fable, a story or a warning, often political, sometimes anti-establishment but always beautiful.</p>



<p class="wp-block-paragraph">The style is fast, hard edged and stripped down, a dark world of Gangs, Goddesses and Groupies, woven into a pure, rock and rebellion. A luxurious mixture of print, acrylic, spraypaint, wheatpaste and varnish.</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image Details</strong> <br>Date: 4 April 2024<br>Camera body: iPhone Xs<br>Lens: Wide Camera 26mm ƒ/1.8<br>Focal Length: 26mm<br>Aperture:<strong> </strong>ƒ/1.8<br>Shutter Speed: 1/369s<br>ISO: 25<br>Licensing: Image of a copyrighted work. This image cannot be licensed.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PREFAB77: Shakespeare</title>
		<link>https://ims.photography/2024/04/04/prefab77-shakespeare/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Thu, 04 Apr 2024 18:22:00 +0000</pubDate>
				<category><![CDATA[Spray paint]]></category>
		<category><![CDATA[North Shields]]></category>
		<category><![CDATA[PREFAB77]]></category>
		<category><![CDATA[spray art]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=2754</guid>

					<description><![CDATA[Peter Manning]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">A PREFAB77 poster in North Shields, England</p>



<p class="wp-block-paragraph">From the <a href="https://www.prefab77.co.uk/about" target="_blank" rel="noreferrer noopener">artist&#8217;s website</a></p>



<p class="wp-block-paragraph">PREFAB77 a.k.a. Peter Manning is a UK based artist whos origins and influences are in England, California and New York.</p>



<p class="wp-block-paragraph">His early training as a printmaker and designer for Her Majesty in the British Army was fundamental in influencing his early Untied Kingdom subject matter, going on to New York to work in fashion and branding which influences his current. His fascination with portraiture and the female form stems from this period and is central to his imagery.</p>



<p class="wp-block-paragraph">Living on Elizabeth street in Nolita in the transitional &#8217;90&#8217;s between rough and ready door dwellers to armed guarded jewellery stores, he fell in love with the layers of tags and posters that, over the years, created a neglected, urgent, idiosyncratic and incidental beauty. On his doorstep and adding to this heady visual mix, art from Swoon, Faile, Obey, WK Interact started to appear, it was an epiphany and a calling that became an obsession.</p>



<p class="wp-block-paragraph">His current work is a culmination of all his influences and obsessions. Weaving small pieces of popular culture; money, street, religious, musical and political affiliations, into visually beautiful allegorical portraits, they express an abstract idea or convey a meaning not explicitly set forth in the narrative. A modern fable, a story or a warning, often political, sometimes anti-establishment but always beautiful.</p>



<p class="wp-block-paragraph">The style is fast, hard edged and stripped down, a dark world of Gangs, Goddesses and Groupies, woven into a pure, rock and rebellion. A luxurious mixture of print, acrylic, spraypaint, wheatpaste and varnish.</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image Details</strong> <br>Date: 4 April 2024<br>Camera body: iPhone Xs<br>Lens: Wide Camera 26mm ƒ/1.8<br>Focal Length: 26mm<br>Aperture:<strong> </strong>ƒ/1.8<br>Shutter Speed: 1/378s<br>ISO: 25<br>Licensing: Image of a copyrighted work. This image cannot be licensed.</p>
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			</item>
		<item>
		<title>Roker Shelter</title>
		<link>https://ims.photography/2023/08/28/roker-shelter/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Mon, 28 Aug 2023 18:19:00 +0000</pubDate>
				<category><![CDATA[Spray paint]]></category>
		<category><![CDATA[spray art]]></category>
		<category><![CDATA[Sunderland]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=3194</guid>

					<description><![CDATA[Sunderland, England]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Artwork in a shelter at Roker, Sunderland, England</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image details</strong> <br>Date: 28 August 2023<br>Camera body: Nikon D50<br>Lens: Nikkor AF-S DX 18-55mm ƒ3.5-5.6G ED<br>Focal Length: 55mm<br>Aperture:<strong> </strong>ƒ/5.6<br>Shutter Speed: 1/25s<br>ISO: 800<br>Licence: <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International</a></p>



<p class="wp-block-paragraph"></p>
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			</item>
		<item>
		<title>Roker Shelter</title>
		<link>https://ims.photography/2023/08/28/roker-shelter-2/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Mon, 28 Aug 2023 18:19:00 +0000</pubDate>
				<category><![CDATA[Spray paint]]></category>
		<category><![CDATA[spray art]]></category>
		<category><![CDATA[Sunderland]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=3196</guid>

					<description><![CDATA[Sunderland, England]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Artwork in a shelter at Roker, Sunderland, England</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image details</strong> <br>Date: 28 August 2023<br>Camera body: Nikon D50<br>Lens: Nikkor AF-S DX 18-55mm ƒ3.5-5.6G ED<br>Focal Length: 26mm<br>Aperture:<strong> </strong>ƒ/4.2<br>Shutter Speed: 1/200s<br>ISO: 800<br>Licence: <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International</a></p>



<p class="wp-block-paragraph"></p>
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