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	<title>Sir George Clausen (1852-1944) &#8211; IMS Photography</title>
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	<description>Ian Malpass-Scott</description>
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		<title>The Stone Pickers</title>
		<link>https://ims.photography/2026/03/06/the-stone-pickers/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Fri, 06 Mar 2026 16:54:55 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Easel painting]]></category>
		<category><![CDATA[North East Museums]]></category>
		<category><![CDATA[Oil]]></category>
		<category><![CDATA[Laing Art Gallery]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Sir George Clausen (1852-1944)]]></category>
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					<description><![CDATA[Sir George Clausen (1852-1944)]]></description>
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<p class="wp-block-paragraph">Clausen was the son of a decorative artist of Danish descent. From 1867 to 1873, he attended design classes at South Kensington Schools (known today as the Royal College of Art), and subsequently studied in Paris under William-Adolphe Bouguereau (1825-1905). He was influenced by French plein-air painting &#8211; the practice of painting outdoors &#8211; and began to paint the rural field workers around his Hertfordshire home during the 188os. The Stone Pickers was purchased in 1907 from Artists of the Northern Counties, a selling exhibition held annually at the Laing from 1905 until 1935. Clausen was an official artist during the First World War and a founding member of the New English Art Club in 1886.</p>



<p class="wp-block-paragraph">Provenance: Purchased from J. Staats Forbes, 1907</p>



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<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Object description</strong> <br>Type:&nbsp;Easel painting<br>Location: Laing Art Gallery, Newcastle-upon-Tyne, Tyne &amp; Wear<br>Material:&nbsp;Oil on canvas<br>Artist: Sir George Clausen (1852-1944)<br>Date: 1887</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image Details</strong> <br>Date: 6 March 2026<br>Camera body: iPhone Xs<br>Lens: Telephoto Camera 52mm ƒ/2.4<br>Focal Length: 52mm<br>Aperture:<strong> </strong>ƒ/2.4<br>Shutter Speed: 1/44s<br>ISO: 500<br>Licensing: Image of a North East Museums asset. This image cannot be licensed.</p>
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		<item>
		<title>Farmer&#8217;s Boy</title>
		<link>https://ims.photography/2025/03/27/farmers-boy/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Thu, 27 Mar 2025 19:21:00 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Ashmolean Museum]]></category>
		<category><![CDATA[Easel painting]]></category>
		<category><![CDATA[Oil]]></category>
		<category><![CDATA[Sir George Clausen (1852-1944)]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=676</guid>

					<description><![CDATA[Sir George Clausen (1852-1944)]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Clausen&#8217;s large painting, Labourers after Dinner (1884; private collection), was the first sign that he was turning away from the sentimental peasant pictures popularised in England and France by Jules Bastien-Lepage, towards more naturalistic and brutal genre subjects. This is a study of the head of the boy at the centre of Labourers after Dinner.</p>



<p class="wp-block-paragraph">Provenance: Presented by Miss Orovida Pissarro, 1956</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Object description</strong> <br>Type: Easel painting<br>Location: Ashmolean Museum, Oxford<br>Material: Oil on canvas<br>Artist: Sir George Clausen (1852-1944)<br>Date: 1884</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image Details</strong> <br>Date: 27 March 2025<br>Camera body: iPhone Xs<br>Lens: Wide Camera 26mm ƒ/1.8<br>Focal Length: 26mm<br>Aperture:<strong> </strong>ƒ/1.8<br>Shutter Speed: 1/50s<br>ISO: 320<br>Licensing: Image of an Ashmolean Museum asset. This image cannot be licensed.</p>
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