Giuseppe Garibaldi (Italian: [dʒuˈzɛppe ɡariˈbaldi]); 4 July 1807 – 2 June 1882) was an Italian general, politician and nationalist. He is considered one of the greatest generals of modern times and one of Italy’s “fathers of the fatherland” along with Camillo Benso, Count of Cavour, Victor Emmanuel II of Italy and Giuseppe Mazzini.

Garibaldi has been called the “Hero of the Two Worlds” because of his military enterprises in Brazil, Uruguay and Europe. He personally commanded and fought in many military campaigns that led eventually to the Italian unification. Garibaldi was appointed general by the provisional government of Milan in 1848, General of the Roman Republic in 1849 by the Minister of War, and led the Expedition of the Thousand on behalf and with the consent of Victor Emmanuel II. His last military campaign took place during the Franco-Prussian War as commander of the Army of the Vosges.

Garibaldi was very popular in Italy and abroad, aided by exceptional international media coverage at the time. Many of the greatest intellectuals of his time, such as Victor Hugo, Alexandre Dumas, and George Sand, showered him with admiration. The United Kingdom and the United States helped him a great deal, offering him financial and military support in difficult circumstances. In the popular telling of his story, he is associated with the red shirts worn by his volunteers, the Garibaldini, in lieu of a uniform.

Image Details
Date: 12 September 2022
Camera body: Nikon D50
Lens: Tamron 70.0-300.0 mm f/4.0-5.6
Focal Length: 280mm
Aperture: ƒ/5.3
Shutter Speed: 1/1,000s
ISO: 220
Licence: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

The monument depicts Ferdinando I de’ Medici, who was the Grand Duke of Tuscany from 1587 to 1609. The statue was created by the sculptor Pietro Francavilla and stands in the Piazza dei Cavalieri.The monument was erected in 1595.
At the base of the statue, there is a kneeling woman with two children, representing the city of Pisa and its plea for protection and prosperity from the Grand Duke.

From Wikipedia

Ferdinando I de’ Medici, Grand Duke of Tuscany (30 July 1549 – 17 February 1609) was Grand Duke of Tuscany from 1587 to 1609, having succeeded his older brother Francesco I. He expanded the culture of Tuscany, which included presenting the opera Euridice by Jacopo Peri. Ferdinando supported Henry IV of France following the assassination of Henry III of France and provided him with financial support. He expanded the Naviglio canal and started an irrigation project in the Val di Chiana. Ferdinando died on 17 February 1609.

Image Details
Date: 12 September 2022
Camera body: Nikon D50
Lens: Nikkor AF-S DX 18-55mm ƒ3.5-5.6G ED
Focal Length: 55mm
Aperture: ƒ/5.6
Shutter Speed: 1/1,600s
ISO: 200
Licence: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

ANCORA INCIAMPO NEL PRESENTE: I still stumble in the present

Image Details
Date: 12 September 2022
Camera body: Nikon D50
Lens: Nikkor AF-S DX 18-55mm ƒ3.5-5.6G ED
Focal Length: 55mm
Aperture: ƒ/5.6
Shutter Speed: 1/1,600s
ISO: 200
Licence: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

From Wikipedia

The Piazza dei Miracoli (Italian: [ˈpjattsa dei miˈraːkoli]; ‘Square of Miracles’), formally known as Piazza del Duomo (‘Cathedral Square’), is a walled 8.87-hectare (21.9-acre) compound in central Pisa, Tuscany, Italy, recognized as an important center of European medieval art and one of the finest architectural complexes in the world.[1] It was all owned by the Catholic Church and is dominated by four great religious edifices: Pisa Cathedral, the Pisa Baptistery, the Leaning Tower of Pisa (the cathedral’s campanile or bell tower), and the Camposanto Monumentale (‘Monumental Cemetery’). Partly paved and partly grassed, the Piazza dei Miracoli is also the site of the Ospedale Nuovo di Santo Spirito (‘New Hospital of the Holy Spirit’), which now houses the Sinopias Museum (Museo delle Sinopie) and the Cathedral Museum (Museo dell’Opera del Duomo).

The square’s popular name was coined by the Italian writer and poet Gabriele D’Annunzio who, in his novel Forse che sì forse che no (1910), described the square as the “prato dei Miracoli”, or ‘meadow of miracles’. It is also sometimes called the Campo dei Miracoli (‘Field of Miracles’). In 1987, the whole square was declared a UNESCO World Heritage Site.

Image Details
Date: 12 September 2022
Camera body: Nikon D50
Lens: Nikkor AF-S DX 18-55mm ƒ3.5-5.6G ED
Focal Length: 55mm
Aperture: ƒ/5.6
Shutter Speed: 1/1,000s
ISO: 220
Licence: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

This panel shows the Nativity of Mary

Image Details
Date: 12 September 2022
Camera body: Nikon D50
Lens: Nikkor AF-S DX 18-55mm ƒ3.5-5.6G ED
Focal Length: 55mm
Aperture: ƒ/5.6
Shutter Speed: 1/1,000s
ISO: 220
Licence: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

Image Details
Date: 12 September 2022
Camera body: iPhone Xs
Lens: Wide Camera 26mm ƒ/1.8
Focal Length: 26mm
Aperture: ƒ/1.8
Shutter Speed: 1/121s
ISO: 32
Licence: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

Image Details
Date: 11 May 2018
Camera body: Nikon D50
Lens: Nikkor AF-S DX 18-55mm ƒ3.5-5.6G ED
Focal Length: 48mm
Aperture: ƒ/5.6
Shutter Speed: 1/1,600s
ISO: 200
Licensing: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

Santa Maria della Spina is a small church in the Italian city of Pisa. The church, erected around 1230 in the Pisan Gothic style, and enlarged after 1325, was originally known as Santa Maria di Pontenovo for the newer bridge that existed nearby, collapsed in the 15th century, and was never rebuilt.

The name of della Spina (“of the thorn”) derives from the presence of a thorn, putatively part of the crown of thorns placed on Christ during his Passion and Crucifixion. The relic was brought to this church in 1333. In 1871 the church was dismantled and rebuilt on a higher level due to dangerous infiltration of water from the Arno river. The church was altered in the process, however, and John Ruskin, who visited Pisa in 1872, was outraged about the restoration.. The church no longer houses the “thorn”. The “thorn” is now in the Chiesa di Santa Chiara, which is on show inside and can be found on Via Roma.

The church of Santa Maria della Spina has always been administered by the city, except for short interruptions in the seventeenth and eighteenth centuries when it fell to the responsibility of the local hospital.

Exterior

The church has one of the most outstanding Gothic edifices in Europe: it has a rectangular plant, with an external facing wholly composed of marble, laid in polychrome bands. The exterior appearance is marked by cusps, tympani and tabernacles, together with a complicated sculpture decoration with tarsiae, rose-windows and numerous statues from the main Pisane artists of the 14th century. These include Lupo di Francesco, Andrea Pisano with his sons Nino and Tommaso, and Giovanni di Balduccio.

The façade has two gates with lintelled arches. Among these lies the tabernacle with the statues of Madonna with the Child and two Angels, attributed to Giovanni Pisano. Two niches open in the upper part of the façade: these house the statue of Christ among the two Annunciation ones, and two other angels.

The right side has also a rich decoration with cusps and thirteen statues of the Apostles and Christ, from Lupo’s workshop. The small sculptures portraying Saints and Angels over the tympani are from Nino Pisano’s workshop, while the niche in the right pillar has a Madonna with Child by Giovanni di Balduccio.

The back side has three round arches with simple windows. The tympani are decorated with the Evangelists’ symbols, intervalled by niches with the statues of the Saints Peter, Paul and John the Baptist. The high pyramid-like spires end with the statues of the Madonna with Child between two angels, by Nino Pisano.

Image Details
Date: 11 May 2018
Camera body: Nikon D50
Lens: Nikkor AF-S DX 18-55mm ƒ3.5-5.6G ED
Focal Length: 50mm
Aperture: ƒ/5.6
Shutter Speed: 1/1,250s
ISO: 200
Licensing: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

The Leaning Tower of Pisa (Italian: Torre pendente di Pisa) or simply the Tower of Pisa (Torre di Pisa [ˈtorre di ˈpiːza]) is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa, known worldwide for its unintended tilt. The tower is situated behind the Pisa Cathedral and is the third oldest structure in the city’s Cathedral Square (Piazza del Duomo), after the cathedral and the Pisa Baptistry.

The tower’s tilt began during construction in the 12th century, caused by an inadequate foundation on ground too soft on one side to properly support the structure’s weight. The tilt increased in the decades before the structure was completed in the 14th century. It gradually increased until the structure was stabilized (and the tilt partially corrected) by efforts in the late 20th and early 21st centuries.

The height of the tower is 55.86 metres (183.27 feet) from the ground on the low side and 56.67 metres (185.93 feet) on the high side. The width of the walls at the base is 2.44 m (8 ft 0.06 in). Its weight is estimated at 14,500 metric tons(16,000 short tons). The tower has 296 or 294 steps; the seventh floor has two fewer steps on the north-facing staircase. Prior to restoration work performed between 1990 and 2001, the tower leaned at an angle of 5.5 degrees, but the tower now leans at about 3.99 degrees. This means the top of the tower is displaced horizontally 3.9 metres (12 ft 10 in) from the centre.

Image Details
Date: 11 May 2018
Camera body: Nikon D50
Lens: Tamron 70.0-300.0 mm f/4.0-5.6
Focal Length: 70mm
Aperture: ƒ/5.6
Shutter Speed: 1/1,250s
ISO: 200
Licence: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International

The fountain features three colossal putti (cherubs) sculpted from Carrara marble by Giovanni Antonio Cybei between 1763 and 1765.

The figures are depicted holding the coats of arms of Pisa and the Opera del Duomo.

he fountain base was created earlier by Giuseppe Vacca in 1746.

Object description
Type: Fountain
Location: Piazza dei Miracoli, Pisa, Italy
Material: Marble
Artist: Giovanni Antonio Cybei (1706–1784), Giuseppe Vacca
Date: 1746, 1763-5

Image Details
Date: 11 May 2018
Camera body: Nikon D50
Lens: Tamron 70.0-300.0 mm f/4.0-5.6
Focal Length: 116mm
Aperture: ƒ/4.5
Shutter Speed: 1/1,000s
ISO: 200
Licence: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International