Provenance: Accepted by HM Government in lieu of inheritance Tax on the estate of Mrs Joan Conway and allocated to the Ashmolean Museum, 1999

Object description
Type: Easel painting
Location: Ashmolean Museum, Oxford
Material: Oil on canvas
Artist: Johan Zoffany (1733-1810)
Date: 1762-63

Image Details
Date: 27 March 2025
Camera body: iPhone Xs
Lens: Wide Camera 26mm ƒ/1.8
Focal Length: 26mm
Aperture: ƒ/1.8
Shutter Speed: 1/33s
ISO: 250
Licensing: Image of an Ashmolean Museum asset. This image cannot be licensed.

Venice Preserv’d is an English Restoration play written by Thomas Otway, and the most significant tragedy of the English stage in the 1680s. It was first staged in 1682, with Thomas Betterton as Jaffeir and Elizabeth Barry as Belvidera. The play was soon printed and enjoyed many revivals through to the 1830s.

The scene depicted shows Jaffier threatening to kill Belvidera.

After joining a coup against the senate of Italy, Belvidera was held as collateral and nearly raped. In defiance they attempt to overthrow the coup by alerting the senate but now Jaffier faces a hanging for his involvement. In desperation he threatens to kill Belvidera unless she can acquire a pardon, which she does, too late to stop Jaffier from exacting his revenge at the gallows before killing himself in atonement.

Provenance: Recieved from the Acceptance in lieu of inheritance tax by H.M.Government, Arts Council England, 2014.1.2/B.M

Object description
Type: Easel painting
Location: Bowes Museum, Barnard Castle, County Durham
Material: Oil on canvas
Artist: Johan Zoffany (1733-1810)
Date: 1762

Image Details
Date: 12 May 2024
Camera body: iPhone Xs
Lens: Wide Camera 26mm ƒ/1.8
Focal Length: 26mm
Aperture: ƒ/1.8
Shutter Speed: 1/25s
ISO: 400
Licensing: Image of a Bowes Museum asset. This image cannot be licensed.

This depiction of Garrick and Bradshaw was the first theatrical painting by Johan Zoffany, commissioned by Garrick and painted in May 1762.

The scene depicted is the farmer who has returned from the coronation of George Ill in London. He regales his family with stories of the sights of London, including the famous Cock Lane ghost fraud. The apparent ghost was known to answer questions by “scratching and knocking once for ‘yes’, twice for ‘no’. The farmer then teases his wife by saying that the ghost knocked twice when he asked about her fidelity.

The Farmer’s Return from London was well received and performed several more times over the course of the theatrical season. The play was sometimes included at the end of an evening’s performance and on 25 January 1763 it followed The Two Gentlemen of Verona and preceded a comic dance called”The Flemish Feast” .

Provenance: Received from the Acceptance in lieu of inheritance tax by H.M.Government, Arts Council England, 2014.1.1/B.M

Object description
Type: Easel painting
Location: Bowes Museum, Barnard Castle, County Durham
Material: Oil on canvas
Artist: Johan Zoffany (1733-1810)
Date: 1762

Image Details
Date: 12 May 2024
Camera body: iPhone Xs
Lens: Wide Camera 26mm ƒ/1.8
Focal Length: 26mm
Aperture: ƒ/1.8
Shutter Speed: 1/25s
ISO: 500
Licensing: Image of a Bowes Museum asset. This image cannot be licensed.

He served for twenty years as an officer in the East India Company, retiring as a captain. He is said to have been instrumental in arranging Zoffany’s journey to India in 1783, and this portrait of Hall in the uniform of a Captain in the East India Company probably dates from that period.

Provenance: Presented by Chambers Hall, 1855

Object description
Type: Easel painting
Location: Ashmolean Museum, Oxford
Material: Oil on canvas
Artist: Johan Zoffany (1733-1810)
Date: Unknown

Image Details
Date: 28 March 2024
Camera body: iPhone Xs
Lens: Wide Camera 26mm ƒ/1.8
Focal Length: 26mm
Aperture: ƒ/1.8
Shutter Speed: 1/33s
ISO: 320
Licensing: Image of an Ashmolean Museum asset. This image cannot be licensed.

This appealing portrait is enhanced by light colours and crisply painted details. Sir Francis Holvering is shown with a relaxed, semi-smiling expression. The coastal setting suggests that Sir Francis was connected with the sea trade or the navy. The setting is purely a backdrop and there is no attempt to create a sense of weather or the texture of the sand. This is characteristic of the approach to painting of the period.

Johann Zoffany was born in Germany but was a leading portrait painter working in Britain.

Object description
Type: Easel painting
Location: Laing Art Gallery, Newcastle-upon-Tyne
Material: Oil on canvas
Artist: Johann Zoffany (1733-1810)
Date: 1760-80

Image details
Date: 10 August 2019
Camera body: iPhone 7 Plus
Lens: Wide Camera 28mm ƒ/1.8
Focal Length: 28mm
Aperture: ƒ/1.8
Shutter Speed: 1/12s
ISO: 100
Licensing: Image of a North East Museums asset. This image cannot be licensed.