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	<title>history &#8211; IMS Photography</title>
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	<description>Ian Malpass-Scott</description>
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		<title>Cardinal Wolsey at the Gate of Leicester Abbey</title>
		<link>https://ims.photography/2024/06/11/cardinal-wolsey-at-the-gate-of-leicester-abbey/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Tue, 11 Jun 2024 18:29:00 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Easel painting]]></category>
		<category><![CDATA[Oil]]></category>
		<category><![CDATA[Osborne House]]></category>
		<category><![CDATA[Charles West Cope (1811-90)]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[people]]></category>
		<category><![CDATA[Royal Collection Trust]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=1460</guid>

					<description><![CDATA[Charles West Cope (1811-90)]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Cardinal Thomas Wolsey, Archbishop of York and Lord Chancellor of England, was for a time the most powerful man in England, second only to the King, Henry VIII. Wolsey fell from favour in 1529 and went north to visit his Archdiocese of York. A year later he was accused of high treason and ordered to return to London. On the way, he stopped at Leicester Abbey. He was so sick that he couldn&#8217;t ride the mule, seen here behind him. He is greeted by the abbot and his monks on the steps of the abbey. Wolsey died at the abbey on 29 November 1530.</p>



<p class="wp-block-paragraph">Prince Albert, accompanied by Prince Waldemar of Prussia, visited Cope to see his picture in the making. He was, according to a contemporary account, &#8216;much pleased and complimentary, and stayed nearly an hour.&#8217; The painting was exhibited at the Royal Academy in 1848. Before the exhibition Cope &#8216;greyed&#8217; the shadows on the carpet, deepened the shadows on the cardinal and got the painter Sir Edwin Landseer to work on the mule&#8217;s head for him.</p>



<p class="wp-block-paragraph">Signed and dated: C W Cope 1847.</p>



<p class="wp-block-paragraph">Provenance: Painted for Prince Albert</p>



<p class="wp-block-paragraph">Text from <a href="https://www.rct.uk/collection/search#/5/collection/403879/cardinal-wolsey-at-the-gate-of-leicester-abbey" target="_blank" rel="noreferrer noopener">Royal Collection Trust website</a></p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Object description</strong> <br>Type: Easel painting<br>Location: Osborne House, Isle of Wight<br>Material: Oil on canvas<br>Artist: Charles West Cope (1811-90)<br>Date: 1847</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image Details</strong> <br>Date: 11 June 2024<br>Camera body: iPhone Xs<br>Lens: Wide Camera 26mm ƒ/1.8<br>Focal Length: 26mm<br>Aperture:<strong> </strong>ƒ/1.8<br>Shutter Speed: 1/30s<br>ISO: 640<br>Licensing: Image of a Royal Collection Trust asset. This image cannot be licensed.</p>
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		<title>A Scene from Goethe&#8217;s &#8220;Götz von Berlichingen&#8221;</title>
		<link>https://ims.photography/2024/06/11/a-scene-from-goethes-gotz-von-berlichingen/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Tue, 11 Jun 2024 18:29:00 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Easel painting]]></category>
		<category><![CDATA[Oil]]></category>
		<category><![CDATA[Osborne House]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[people]]></category>
		<category><![CDATA[Prince Albert, Prince Consort (1819–1861)]]></category>
		<category><![CDATA[Royal Collection Trust]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=1463</guid>

					<description><![CDATA[Prince Albert, Prince Consort (1819-61)]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Goetz von Berlichingen was a successful drama written in 1773 by Johann Wolfgang von Goethe, based on the memoirs of the sixteenth-century knight and adventurer-poet, Goetz von Berlichingen. The scene depicted here is taken from Act IV, scene iii of Goethe’s play when the hero is summoned to attend the Imperial Commissioners in the Council House at Heilbronn. When the magistrate, standing on the left, rings a bell, a party of armed men appears. Goetz, however, strikes one of them down and snatches a sword from another. The painting is stated to have been painted in Brussels, where Prince Albert and his brother stayed for 10 months, 1836-7, and to have been given by Prince Albert to the Queen of the Belgians. Signed and dated: Albrxt. / 1837. Inscribed on the back with the title and dates.</p>



<p class="wp-block-paragraph">Provenance: Painted by Prince Albert at Brussels in 1836; given to the Queen of the Belgians in 1850; bequeathed by her to Queen Victoria (Queen Victoria&#8217;s acquisitions 1851); recorded in the Queen&#8217;s Dressing Room at Buckingham Palace in 1876</p>



<p class="wp-block-paragraph">Text from&nbsp;<a href="https://www.rct.uk/collection/search#/5/collection/403879/cardinal-wolsey-at-the-gate-of-leicester-abbey" target="_blank" rel="noreferrer noopener">Royal Collection Trust website</a></p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Object description</strong> <br>Type: Easel painting<br>Location: Osborne House, Isle of Wight<br>Material: Oil on canvas<br>Artist: Prince Albert, Prince Consort (1819-61)<br>Date: 1836</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image Details</strong> <br>Date: 11 June 2024<br>Camera body: iPhone Xs<br>Lens: Wide Camera 26mm ƒ/1.8<br>Focal Length: 26mm<br>Aperture:<strong> </strong>ƒ/1.8<br>Shutter Speed: 1/15s<br>ISO: 800<br>Licensing: Image of a Royal Collection Trust asset. This image cannot be licensed.</p>
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