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	<title>column &#8211; IMS Photography</title>
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	<description>Ian Malpass-Scott</description>
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		<title>Mariensäule</title>
		<link>https://ims.photography/2023/06/28/mariensaule/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Wed, 28 Jun 2023 18:19:00 +0000</pubDate>
				<category><![CDATA[Germany 2023]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[column]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[gold]]></category>
		<category><![CDATA[Munich]]></category>
		<category><![CDATA[statue]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=3275</guid>

					<description><![CDATA[Munich, Germany]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Mariensäule, Munich</p>



<p class="wp-block-paragraph">The Mariensäule (lit. ‘Mary’s Column’) is a Marian column located on the Marienplatz in Munich, Germany. Mary is revered here as Patrona Bavariae (Latin: Protector of Bavaria).</p>



<p class="wp-block-paragraph">It was erected in 1638 to celebrate the end of Swedish occupation during the Thirty Years’ War, to be precise, following a respective vow by Duke Elector Maximilian I of Bavaria if the ducal residential cities of Munich and Landshut would be spared from war destruction. The column is topped by a golden statue of the Virgin Mary standing on a crescent moon as the Queen of Heaven, created in 1590. The figure was originally located in the Frauenkirche. Mariensäule in Munich was the first column of this type built north of the Alps and inspired erecting other Marian columns in this part of Europe.</p>



<p class="wp-block-paragraph">At each corner of the column’s pedestal is a statue of a putto, created by Ferdinand Murmann. The four putti are each depicted fighting a different beast, symbolizing the city’s overcoming of adversities: war represented by the lion, pestilence by the cockatrice, hunger or famine by the dragon and heresy by the serpent.</p>



<p class="wp-block-paragraph">The full inscription is as follows (with a translation)</p>



<p class="wp-block-paragraph"><strong>Latin</strong></p>



<p class="wp-block-paragraph">DEO OPTIMO MAXIMO<br>VIRGINI DEIPARAE<br>BOICAE DOMINAE<br>BENIGNISSIMAE<br>PROTECTRICI<br>POTENTISSIMAE<br>OB PATRIAM<br>VRBES EXERCITVS<br>SEIPSVM DOMVM<br>ET SPES SVAS<br>SERVATAS<br>HOC PERENNE<br>AD POSTEROS<br>MONVMENTVM<br>MAXIMILIANVS<br>COM. PAL. RHENI<br>VTRIVSQVE BAVARIAE DVX<br>S.R.I. ARCHIDAP.<br>ET ELECTOR<br>CLIENTVM INFIMVS<br>GRATVS SVPPLEX<br>POSUIT A. MDCXXXIIX</p>



<p class="wp-block-paragraph"><strong>Translation</strong></p>



<p class="wp-block-paragraph">TO GOD THE BEST AND GREATEST<br>THE VIRGIN, THE MOTHER OF GOD<br>MISTRESS OF BAVARIA<br>MOST BENIGN<br>PROTECTRESS<br>MOST POWERFUL;<br>BECAUSE THE HOMELAND<br>CITIES, ARMIES<br>HIS OWN HOUSE<br>AND HIS HOPES<br>WERE SAVED<br>THIS LASTING<br>MEMORIAL<br>FOR THOSE TO COME<br>MAXIMILIANVS<br>PALSGRAVE OF THE RHINE<br>RULER OF BOTH BAVARIAS<br>ARCHSTEWARD OF THE HOLY ROMAN EMPIRE<br>AND ELECTOR<br>THE WORST OF HIS SERVANTS<br>A GRATEFUL SUPPLICANT<br>PUT UP IN THE YEAR 1638</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image details</strong> <br>Date: 28 June 2023<br>Camera body: Nikon D50<br>Lens: Tamron 70.0-300.0 mm f/4.0-5.6<br>Focal Length: 195mm<br>Aperture:<strong> </strong>ƒ/5.6<br>Shutter Speed: 1/1,250s<br>ISO: 360<br>Licence: <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International</a></p>



<p class="wp-block-paragraph"></p>
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			</item>
		<item>
		<title>Mariensäule</title>
		<link>https://ims.photography/2023/06/28/mariensaule-2/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Wed, 28 Jun 2023 18:19:00 +0000</pubDate>
				<category><![CDATA[Germany 2023]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[column]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[gold]]></category>
		<category><![CDATA[Munich]]></category>
		<category><![CDATA[statue]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=3277</guid>

					<description><![CDATA[Munich, Germany]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Mariensäule, Munich</p>



<p class="wp-block-paragraph">The Mariensäule (lit. ‘Mary’s Column’) is a Marian column located on the Marienplatz in Munich, Germany. Mary is revered here as Patrona Bavariae (Latin: Protector of Bavaria).</p>



<p class="wp-block-paragraph">It was erected in 1638 to celebrate the end of Swedish occupation during the Thirty Years’ War, to be precise, following a respective vow by Duke Elector Maximilian I of Bavaria if the ducal residential cities of Munich and Landshut would be spared from war destruction. The column is topped by a golden statue of the Virgin Mary standing on a crescent moon as the Queen of Heaven, created in 1590. The figure was originally located in the Frauenkirche. Mariensäule in Munich was the first column of this type built north of the Alps and inspired erecting other Marian columns in this part of Europe.</p>



<p class="wp-block-paragraph">At each corner of the column’s pedestal is a statue of a putto, created by Ferdinand Murmann. The four putti are each depicted fighting a different beast, symbolizing the city’s overcoming of adversities: war represented by the lion, pestilence by the cockatrice, hunger or famine by the dragon and heresy by the serpent.</p>



<p class="wp-block-paragraph">The full inscription is as follows (with a translation)</p>



<p class="wp-block-paragraph"><strong>Latin</strong></p>



<p class="wp-block-paragraph">DEO OPTIMO MAXIMO<br>VIRGINI DEIPARAE<br>BOICAE DOMINAE<br>BENIGNISSIMAE<br>PROTECTRICI<br>POTENTISSIMAE<br>OB PATRIAM<br>VRBES EXERCITVS<br>SEIPSVM DOMVM<br>ET SPES SVAS<br>SERVATAS<br>HOC PERENNE<br>AD POSTEROS<br>MONVMENTVM<br>MAXIMILIANVS<br>COM. PAL. RHENI<br>VTRIVSQVE BAVARIAE DVX<br>S.R.I. ARCHIDAP.<br>ET ELECTOR<br>CLIENTVM INFIMVS<br>GRATVS SVPPLEX<br>POSUIT A. MDCXXXIIX</p>



<p class="wp-block-paragraph"><strong>Translation</strong></p>



<p class="wp-block-paragraph">TO GOD THE BEST AND GREATEST<br>THE VIRGIN, THE MOTHER OF GOD<br>MISTRESS OF BAVARIA<br>MOST BENIGN<br>PROTECTRESS<br>MOST POWERFUL;<br>BECAUSE THE HOMELAND<br>CITIES, ARMIES<br>HIS OWN HOUSE<br>AND HIS HOPES<br>WERE SAVED<br>THIS LASTING<br>MEMORIAL<br>FOR THOSE TO COME<br>MAXIMILIANVS<br>PALSGRAVE OF THE RHINE<br>RULER OF BOTH BAVARIAS<br>ARCHSTEWARD OF THE HOLY ROMAN EMPIRE<br>AND ELECTOR<br>THE WORST OF HIS SERVANTS<br>A GRATEFUL SUPPLICANT<br>PUT UP IN THE YEAR 1638</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image details</strong> <br>Date: 28 June 2023<br>Camera body: Nikon D50<br>Lens: Tamron 70.0-300.0 mm f/4.0-5.6<br>Focal Length: 150mm<br>Aperture:<strong> </strong>ƒ/4.5<br>Shutter Speed: 1/1,250s<br>ISO: 200<br>Licence: <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International</a></p>



<p class="wp-block-paragraph"></p>
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			</item>
		<item>
		<title>Putto Fighting a Dragon</title>
		<link>https://ims.photography/2023/06/28/putto-fighting-a-dragon/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Wed, 28 Jun 2023 18:19:00 +0000</pubDate>
				<category><![CDATA[Germany 2023]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[column]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Munich]]></category>
		<category><![CDATA[statue]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=3279</guid>

					<description><![CDATA[Munich, Germany]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Putto Fighting a Dragon, Mariensäule, Munich</p>



<p class="wp-block-paragraph">The Mariensäule (lit. ‘Mary’s Column’) is a Marian column located on the Marienplatz in Munich, Germany. Mary is revered here as Patrona Bavariae (Latin: Protector of Bavaria).</p>



<p class="wp-block-paragraph">It was erected in 1638 to celebrate the end of Swedish occupation during the Thirty Years’ War, to be precise, following a respective vow by Duke Elector Maximilian I of Bavaria if the ducal residential cities of Munich and Landshut would be spared from war destruction. The column is topped by a golden statue of the Virgin Mary standing on a crescent moon as the Queen of Heaven, created in 1590. The figure was originally located in the Frauenkirche. Mariensäule in Munich was the first column of this type built north of the Alps and inspired erecting other Marian columns in this part of Europe.</p>



<p class="wp-block-paragraph">At each corner of the column’s pedestal is a statue of a putto, created by Ferdinand Murmann. The four putti are each depicted fighting a different beast, symbolizing the city’s overcoming of adversities: war represented by the lion, pestilence by the cockatrice, hunger or famine by the dragon and heresy by the serpent.</p>



<p class="wp-block-paragraph">The full inscription is as follows (with a translation)</p>



<p class="wp-block-paragraph"><strong>Latin</strong></p>



<p class="wp-block-paragraph">DEO OPTIMO MAXIMO<br>VIRGINI DEIPARAE<br>BOICAE DOMINAE<br>BENIGNISSIMAE<br>PROTECTRICI<br>POTENTISSIMAE<br>OB PATRIAM<br>VRBES EXERCITVS<br>SEIPSVM DOMVM<br>ET SPES SVAS<br>SERVATAS<br>HOC PERENNE<br>AD POSTEROS<br>MONVMENTVM<br>MAXIMILIANVS<br>COM. PAL. RHENI<br>VTRIVSQVE BAVARIAE DVX<br>S.R.I. ARCHIDAP.<br>ET ELECTOR<br>CLIENTVM INFIMVS<br>GRATVS SVPPLEX<br>POSUIT A. MDCXXXIIX</p>



<p class="wp-block-paragraph"><strong>Translation</strong></p>



<p class="wp-block-paragraph">TO GOD THE BEST AND GREATEST<br>THE VIRGIN, THE MOTHER OF GOD<br>MISTRESS OF BAVARIA<br>MOST BENIGN<br>PROTECTRESS<br>MOST POWERFUL;<br>BECAUSE THE HOMELAND<br>CITIES, ARMIES<br>HIS OWN HOUSE<br>AND HIS HOPES<br>WERE SAVED<br>THIS LASTING<br>MEMORIAL<br>FOR THOSE TO COME<br>MAXIMILIANVS<br>PALSGRAVE OF THE RHINE<br>RULER OF BOTH BAVARIAS<br>ARCHSTEWARD OF THE HOLY ROMAN EMPIRE<br>AND ELECTOR<br>THE WORST OF HIS SERVANTS<br>A GRATEFUL SUPPLICANT<br>PUT UP IN THE YEAR 1638</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image details</strong> <br>Date: 28 June 2023<br>Camera body:&nbsp;Nikon D50<br>Lens:&nbsp;Tamron 70.0-300.0 mm f/4.0-5.6<br>Focal Length:&nbsp;105mm<br>Aperture:<strong>&nbsp;</strong>ƒ/4.2<br>Shutter Speed:&nbsp;1/1,000s<br>ISO:&nbsp;200<br>Licence: <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International</a></p>



<p class="wp-block-paragraph"></p>
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		<item>
		<title>Wellington&#8217;s Column</title>
		<link>https://ims.photography/2022/03/26/wellingtons-column/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Sat, 26 Mar 2022 19:22:00 +0000</pubDate>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[Liverpool 2022]]></category>
		<category><![CDATA[Monument]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[column]]></category>
		<category><![CDATA[George Anderson Lawson (1832-1904)]]></category>
		<category><![CDATA[Liverpool]]></category>
		<category><![CDATA[monument]]></category>
		<category><![CDATA[sculpture]]></category>
		<category><![CDATA[statue]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=3969</guid>

					<description><![CDATA[George Anderson Lawson (1832-1904)]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Wellington&#8217;s Column, Liverpool.</p>



<p class="wp-block-paragraph">From <a href="https://en.wikipedia.org/wiki/Wellington%27s_Column" target="_blank" rel="noreferrer noopener">Wikipedia</a></p>



<p class="wp-block-paragraph">Wellington&#8217;s Column, or the Waterloo Memorial, is a monument to the Duke of Wellington standing on the corner of William Brown Street and Lime Street in Liverpool, England. It is recorded in the National Heritage List for England as a designated Grade II* listed building.</p>



<p class="wp-block-paragraph">After the Duke&#8217;s death in 1852, in common with other cities, Liverpool decided to erect a monument to celebrate his achievements. A committee was established to organise public subscriptions, but the money was slow to come in. A competition was set up in 1856 to find a designer for the column, and this was won by the architect Andrew Lawson of Edinburgh. There were further delays while a suitable site was found, with sites at the top of Duke Street and Bold Street, in front of the Adelphi Hotel and Prince&#8217;s Park being considered before the eventual location was settled on. In 1861 a second competition, this time for the statue of the Duke, was won by George Anderson Lawson, brother of the column&#8217;s designer. The design of the column and plinth closely resembles that of the Melville Monument commemorating Henry Dundas, Lord Melville in St Andrew Square, Edinburgh, itself loosely modelled on Trajan&#8217;s Column in Rome.</p>



<p class="wp-block-paragraph">The foundation stone was laid on 1 May 1861 by the Mayor of Liverpool. There were further delays during construction of the monument due to subsidence. Although it was inaugurated on 16 May 1863 in a ceremony attended by the mayor and Sir William Brown, it was still not complete. Reliefs depicting Wellington&#8217;s victories and the charge at the Battle of Waterloo were still to be added and it was finally completed towards the end of 1865. These delays resulted in its being &#8220;a very late example of a column-monument for Britain&#8221;.</p>



<p class="wp-block-paragraph">The foundations of the monument are in Runcorn sandstone, the pedestal is in granite, and the column itself is in Darley Dale sandstone. The overall height of the monument is 132 feet (40.2 m), the column being 81 feet (24.7 m) tall and the statue 25 feet (7.6 m) tall. It stands on a stepped base with a square pedestal. On each side of the pedestal is a bronze plaque; at the corners are bronze eagles joined by swags along the sides. Standing on the pedestal is a Roman Doric fluted column. Within the column are 169 steps leading up to a viewing platform. On top of the column is a cylinder surmounted by a cupola on which the bronze statue of the Duke stands. The statue is made from the melted-down bronze from cannons captured at the Battle of Waterloo. The Duke holds a scroll in his right hand, and his left hand rests on the hilt of his sword.</p>



<p class="wp-block-paragraph">The brass plaque on the south of the pedestal is a relief depicting the final charge at the battle of Waterloo. On the east and west faces, the plaques bear the names of the Duke&#8217;s victorious battles. The east panel lists the battles of Assaye, Talavera, Argaum, Busaco, Roliça, Fuentes de Oñoro, Vimeiro, Ciudad Rodrigo, Oporto, and Badajoz; the west panel Salamanca, Bayonne, Vittoria, Orthez, San Sebastián, Toulouse, Nivelle, Quatre Bras, and Waterloo. Also on and around the base of the monument are pre-metric standard Board of Trade measurements of length, the shorter ones being embossed on a bronze panel. Set into the pavement is a brass strip containing the measure of 100 feet (30.5 m), and a chain of 100 links.</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Object description</strong><br>Type: Sculpture<br>Location: Pier Head, Liverpool<br>Material: Bronze<br>Artist: George Anderson Lawson (1832-1904)<br>Date: c. 1863</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image Details</strong> <br>Date: 26 March 2022<br>Camera body: Nikon D50<br>Lens: Tamron 70.0-300.0 mm f/4.0-5.6<br>Focal Length: 300mm<br>Aperture:<strong> </strong>ƒ/5.6<br>Shutter Speed: 1/1,000s<br>ISO: 200<br>Licence: <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International</a></p>
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			</item>
		<item>
		<title>Glenfinnan Monument</title>
		<link>https://ims.photography/2020/09/10/glenfinnan-monument/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Thu, 10 Sep 2020 18:22:00 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[Monument]]></category>
		<category><![CDATA[Scotland 2020]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[column]]></category>
		<category><![CDATA[Glenfinnan]]></category>
		<category><![CDATA[monument]]></category>
		<category><![CDATA[Scotland]]></category>
		<category><![CDATA[sculpture]]></category>
		<guid isPermaLink="false">https://ims.photography/?p=6586</guid>

					<description><![CDATA[Glenfinnan, Scotland]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Glenfinnan Monument, Glenfinnan, Scotland.</p>



<p class="wp-block-paragraph">From <a href="https://en.wikipedia.org/wiki/Glenfinnan_Monument" target="_blank" rel="noreferrer noopener">Wikipedia</a>:</p>



<p class="wp-block-paragraph">The Glenfinnan Monument is a Category A listed monument in Glenfinnan, Lochaber, erected in 1814 and dedicated to the Scottish Highlanders who fought in the Jacobite Army during the Jacobite rising of 1745.<br>By 1814, Jacobitism was no longer a political threat to the House of Hanover. Alexander Macdonald, a member of Clan Macdonald of Clanranald, ordered the construction of the tower to commemorate the Highlanders who fought on the side of Charles Edward Stuart during the rebellion. Alexander&#8217;s father had hosted Stuart for a night in 1745 on his travels. The tower, which is 59 ft (18 m) in height, was designed by Scottish architect James Gillespie Graham.</p>



<p class="wp-block-paragraph">The monument&#8217;s location at Glenfinnan was made possible by a new road (now the A830), built by Thomas Telford and opened in 1812, between Fort William and Arisaig. The tower&#8217;s construction was funded partially by the wealth accrued from slave plantations in Jamaica owned by Macdonald&#8217;s father, also named Alexander. A statue of an unknown Highlander designed by John Greenshields, referred to at the point of commission as Stuart himself, was added in 1835.</p>



<p class="wp-block-paragraph">Since 1938, the monument has been in the care of the National Trust for Scotland. The Trust has constructed a visitor centre, providing tickets, information, exhibitions, a shop, a café and toilets. In 2021, the Trust replaced a portrait of Stuart in the visitor centre with a display which detailed the links between the monument and slavery along with information on the ownership of slaves by Highland elites.</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image Details</strong> <br>Date: 10 September 2020<br>Camera body: Nikon D50<br>Lens: Tamron 70.0-300.0 mm f/4.0-5.6<br>Focal Length: 280mm<br>Aperture:<strong> </strong>ƒ/5.3<br>Shutter Speed: 1/500s<br>ISO: 640<br>Licensing: <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International</a></p>



<p class="wp-block-paragraph"></p>
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			</item>
		<item>
		<title>Grey’s Monument</title>
		<link>https://ims.photography/2018/08/05/greys-monument/</link>
		
		<dc:creator><![CDATA[Ian Malpass-Scott]]></dc:creator>
		<pubDate>Sun, 05 Aug 2018 18:22:00 +0000</pubDate>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[Monument]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[column]]></category>
		<category><![CDATA[Edward Hodges Baily (1788-1867)]]></category>
		<category><![CDATA[monument]]></category>
		<category><![CDATA[Newcastle-upon-Tyne]]></category>
		<category><![CDATA[sculpture]]></category>
		<guid isPermaLink="false">https://blog.ims.photography/?p=5257</guid>

					<description><![CDATA[Edward Hodges Baily (1788-1867)]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Grey’s Monument, Grey Street, Newcastle-upon-Tyne</p>



<p class="wp-block-paragraph">Grey’s Monument is a Grade I listed monument to Charles Grey, 2nd Earl Grey built in 1838 in the centre of Newcastle upon Tyne, England. It was erected to acclaim Earl Grey for the passing of the Great Reform Act of 1832 and stands at the head of Grey Street. It consists of a statue of Lord Grey standing atop a 130-foot-high (40 m) column. The column was designed by local architects John and Benjamin Green, and the statue was created by the sculptor Edward Hodges Baily (creator of Nelson’s statue in Trafalgar Square).</p>



<p class="wp-block-paragraph"><sup></sup>In July 1941, during World War II, the head of the statue was knocked off by a bolt of lightning.<sup></sup>&nbsp;In 1947, sculptor Roger Hedley (the son of painter Ralph Hedley<sup></sup>) created a new head based on the preserved fragments of the original.<sup></sup></p>



<p class="wp-block-paragraph">The monument lends its name to Monument Metro station, a station on the Tyne and Wear Metro located directly underneath, and to the Monument Mall Shopping Centre. The surrounding area is simply known as Monument.</p>



<p class="wp-block-paragraph">A spiral staircase leads to a viewing platform at the top of the monument, which is occasionally opened to the public.<sup></sup>&nbsp;Old photographs indicate that the monument was originally on a traffic island and was surrounded by railings.<sup></sup>These railings are no longer present, and the area around the monument is now pedestrianised and is home to many shops, some independent and some up-scale designer boutiques.</p>



<p class="wp-block-paragraph">The wide base of the monument is a popular spot for people-watching, and often acts as a venue for buskers, religious speakers and political activists/protesters. The Maxïmo Park song&nbsp;<em>By the Monument</em>&nbsp;refers to Grey’s Monument.</p>



<p class="wp-block-paragraph">The Monument is in the Westgate electoral ward of the City of Newcastle upon Tyne, and the parliamentary constituency of Newcastle upon Tyne Central.</p>



<p class="wp-block-paragraph">The main inscription<sup></sup>&nbsp;on the pedestal reads:</p>



<figure class="wp-block-table"><table class="has-fixed-layout"><tbody><tr><td>THIS COLUMN WAS ERECTED IN 1838<br>TO COMMEMORATE<br>THE SERVICES RENDERED TO HIS COUNTRY BY<br><strong>CHARLES EARL GREY K.G.</strong><br>WHO, DURING AN ACTIVE POLITICAL CAREER OF<br>NEARLY HALF A CENTURY<br>WAS THE CONSTANT ADVOCATE OF PEACE<br>AND THE FEARLESS AND CONSISTENT CHAMPION OF<br>CIVIL AND RELIGIOUS LIBERTY.<br>HE FIRST DIRECTED HIS EFFORTS TO THE AMENDMENT<br>OF THE REPRESENTATION OF THE PEOPLE IN 1792,<br>AND WAS THE MINISTER<br>BY WHOSE ADVICE, AND UNDER WHOSE GUIDANCE,<br>THE GREAT MEASURE OF PARLIAMENTARY REFORM<br>WAS AFTER AN ARDUOUS AND PROTRACTED STRUGGLE<br>SAFELY AND TRIUMPHANTLY ACHIEVED<br>IN THE YEAR 1832.</td></tr></tbody></table></figure>



<p class="wp-block-paragraph">And on the opposite face is a later inscription:</p>



<figure class="wp-block-table"><table class="has-fixed-layout"><tbody><tr><td>AFTER A CENTURY OF CIVIL PEACE,<br>THE PEOPLE RENEW<br>THEIR GRATITUDE TO THE AUTHOR<br>OF THE GREAT REFORM BILL.<br>1932.</td></tr></tbody></table></figure>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Object description</strong><br>Type: Sculpture, monument<br>Location: Grey Street, Newcastle-upon-Tyne<br>Material: Stone<br>Artist: Edward Hodges Baily (1788-1867)<br>Date: 1838</p>



<p class="has-background wp-block-paragraph" style="background-color:#abb7c23d"><strong>Image Details</strong> <br>Date: 5 August 2018<br>Camera body: Nikon D50<br>Lens: Tamron 70.0-300.0 mm f/4.0-5.6<br>Focal Length: 210mm<br>Aperture:<strong> </strong>ƒ/5<br>Shutter Speed: 1/1,000s<br>ISO: 220<br>Licence: <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International</a></p>



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