“The 4th Duke of Queensberry (‘Old Q’) as Earl of March” by Sir Joshua Reynolds PRA in the front state room of The Wallace Collection, Marylebone, London, England

From Wikipedia:

The Front State Room

Displays: Portraits and Porcelain

The Front State Room – architecturally restored to its appearance in 1890 with much of the original furnishings returned
This room reveals the opulence of the London town house in the 1870s and sets the scene for visitors to the Wallace Collection. The State Rooms were the grandest rooms in the house, in which the most important visitors were received. When it was the home of Sir Richard and Lady Wallace, visitors to Hertford House first entered the Front State Room, then, as now, hung with portraits. Two items of the modern furniture seen in the room in 1890 were not part of the collection gifted by Lady Wallace and are no longer present, but the mounted porcelain displayed on the cabinets and the chandelier, made by Jean-Jacques Caffiéri in 1571, have been returned to the room.

From The Wallace Collection website:

William Douglas (1725-1810), 3rd Earl of March, became 4th Duke of Queensberry in 1778. He was Lord of the Bedchamber to King George III between 1760 and 1789 and was also a friend of the Prince of Wales. The owner of a well-known stud farm, the Earl was a notorious rake and gambler. He never married and was almost certainly the father of Maria Fagnani, who became the 3rd Marchioness of Hertford, to whom he gave considerable amounts of money and property – and, it is believed, this portrait. In the last twenty years of his life, he was the subject of numerous satirical prints and also earned the nickname ‘Old Q.’

The present picture represents the Earl in a three-quarter profile, wearing his peer’s robes. His coronet is displayed on a table to the left of the picture. The costume appears to have been painted by a drapery painter rather than by Reynolds himself (by c. 1760, Reynolds was in high demand as a portraitist and increasingly delegated work to drapery painters and studio assistants).Technical analysis of the present picture has revealed that Reynolds made final adjustments to the folds of the fabric and the position of the ermine spots. The Order of the Thistle, which Lord March received in 1763, were added later and probably not by Reynolds’s hand.

Characteristic of Reynolds’s portraiture of c. 1750- c. 1760 is the fading of the pink tones of the sitter’s face, a result of his use of red lake. In contrast, the drapery – where the same red lake pigment was applied as a pure layer of glaze – has retained its colour.

The portrait was probably bequeathed to the 3rd Marchioness of Hertford in 1810.

Object description
Type: Easel painting
Location: The Wallace Collection, London
Material: Oil on canvas
Artist: Sir Joshua Reynolds PRA (1723 – 1792)
Date: 1759

Image details
Date: 8 December 2025
Camera body: iPhone Xs
Lens: Telephoto Camera 52mm ƒ/2.4
Focal Length: 52mm
Aperture: ƒ/2.4
Shutter Speed: 1/33s
ISO: 500
Licensing: Image of a Wallace Collection asset. This image cannot be licensed.